Michael Babatunde Olatunji Biography - life, family, children ... Babatunde Olatunji, second from right, at the Tal Vadya Utsav International Drums & Percussion Festival, Siri Fort Auditorium, New Delhi, Michael Babatunde Olatunji (April 7, – April 6, ) was a Nigerian drummer, educator, social activist, and recording artist.Babatunde Olatunji - Wikipedia Master drummer, educator, and Pan-Africanist, Olatunji influenced everyone from John Coltrane to Spike Lee in the US where he made his home, whilst in Europe Serge Gainsbourg `borrowed’ Babatunde’s beats for his long-player Gainsbourg Percussions.Bio - Baba Olatunji Babatunde Olatunji was one of the 20th century’s greatest masters of percussion. A beloved cross-cultural ambassadors, he made an unparalleled contribution in the saga of modern rhythm as he almost single-handedly seeded the sounds of African music into the American mainstream. Babatunde Olatunji
Pioneering Nigerian drummer Babatunde Olatunji influenced contemporary jazz's turn to African rhythms back in the s. A respected musician and tireless promoter of African music and culture, he was also a key figure in the rise of world-beat music in the s, and he teamed with Grateful Dead drummer Mickey Hart to record the Grammy Award. Born in 1927 to a Yoruba family in Lagos state, Olatunji won a scholarship to study at Morehouse College in Atlanta in 1950.
NAME: Babatunde Olatunji. DATE OF BIRTH: April 7, – April 6, PLACE OF BIRTH: Lagos State. EDUCATION: Olatunji received a Rotary scholarship in and was educated at Morehouse College in Atlanta, Georgia, where he desired to, but never sang in the Morehouse College Glee Club.[1].A popular song in choir repertoires, “Betelehemu” is a Yoruba Christmas carol by the Grammy-nominated drummer Babatunde Olatunji.
Babatunde Olatunji was a Grammy award winning virtuoso drummer, percussionist, producer, social activist, educator and recording artist who first rose to prominence in the late 's.
Jin-go-lo-ba - Wikipedia
Three years before Rosa Parks' bus boycott, Nigerian drummer Babatunde Olatunji protested against racial segregation in the southern states of America. He was part of a generation of Africans who.
Love Drum Talk | Babatunde Olatunji
Michael Babatunde Olatunji was born in in Ajido, Nigeria, a small fishing village about forty miles from Lagos, Nigeria's capital. His childhood was filled with singing and drumming. He dreamed of becoming a diplomat for his people, and in he received a Rotary International scholarship to Morehouse College in Atlanta. Babatunde Olatunji Biography -
"Jin-go-lo-ba" (or "Jingo") is a song by Nigerian percussionist Babatunde Olatunji, featured on his first album Drums of Passion (). In Yoruba (Olatunji's native language) it means, "Do not worry." The song featured "African-derived rhythms and chants" along with "swooping orchestration". [1]. The life and legacy of Babatunde Olatunji - Pan African Music
Writings and Recordings by Babatunde Olatunji. With Betty Warner Deitz. Musical Instruments of Africa: Their Nature, Use and Place in the Life of a Deeply Musical People. (New York: John Day, ). Yorùbá òde òní. (Lagos, ). Drums of Passion Songbook: The Songs of Babatunde Olatunji. (New York: Olatunji Music, ). 
Artist Profiles: Babatunde Olatunji | World Music Central
Long Distance Lover On April 6, , the music world lost a remarkable individual, a legendary musician, teacher and humanitarian. Babatunde Olatunji led a rich life of creativity and passion and Chesky is honored to have produced Olatunji's last commercial release, love drum talk, nominated for the Grammy award of Best World Music Album.
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Babatunde Olatunji is a Nigerian Master Drummer, philosopher and teacher. |
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"Introduction," The Beat of My Drum: An Autobiography, Babatunde Olatunji, Temple University Press, 2005. |
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Pa Michael Babatunde Olatunji, (late) a Nigerian drummer, educator, social activist, and recording artist. |
Babatunde Olatunji - Atlanta Symphony Orchestra
Drums of Passion is an album produced by Babatunde Olatunji, a percussionist from Nigeria, in It was the first recording to popularize African music in the West, [3] becoming immensely successful and selling over five million copies. [4] In , it was released as a single layer stereo and SACD by Columbia Records.